SPOILER WARNING: This blog assumes you've seen the titled work and discusses plot points in detail so if you haven't seen the movie and don't want the surprise ruined, stop here.

FULL DISCLOSURE: I am a member of the Independent Writers Caucus of the WGA. However, all opinions expressed here are completely my own.

Main menu:

Site search

Categories

February 2010
S M T W T F S
« Dec    
 123456
78910111213
14151617181920
21222324252627
28  

Archive

Made on a Mac

Online Again

My blog was hacked.

I had to shut it down temporarily because all my advice and observations about screenwriting were superceded by an online gambling site.

In the meantime, I thought I’d take advantage of the refit to update the software to the newest version of WordPress.  Probably doesn’t look very much different to you but the Dashboard interface is a thing of beauty.

Unfortunately, the screenwriter Wiki had to be killed in the process.  When I have a little more time, I’ll try to resurrect her but she’s kaput for now.  My apologies to the three or four regular visitors she had.

So rejoice!  The cleansing of the blog does mean that I intend to keep writing updates as the mood strikes me.

Good writing.

Isaac

Top Ten Non Christmas, Christmas Movies

Christmas movies don’t always have to be about Christmas (you know, kids, presents, relatives).  Here are ten movies set around Christmas but aren’t necessarily about Christmas.

oooooooooooooo

10. On Her Majesty’s Secret Service – James Bond falls in love and gets married and though our intrepid agent saves the world with alarming regularity, he has his long term commitment issues cured by an evil mastermind who celebrates Christmas.

oooooooooooooo

9. Three Days of the Condor – How better to spend the holidays than on the run after finding all your co-workers shot dead by a renegade cabal within the U.S. intelligence community?

oooooooooooooo

8. The Jacket – A Gulf War veteran is subjected to a sadistic experimental treatment for mental illness only to discover he died fourteen years earlier.  Then he sleeps with Keira Knightly.  Merry Christmas.

oooooooooooooo

7. Frozen River – To raise money for a double wide a woman smuggles illegal immigrants into the United States across the Canadian border.  The double wide is her Christmas present to her sons.

oooooooooooooo

6. Enemy of the State – An old law school buddy slips a computer disk in your shopping bag as you buy lingerie for your wife’s Christmas present.  Now the government will destroy your life to get it back.

oooooooooooooo

5. Donnie Brasco – An undercover cop develops an unhealthy relationship with an aging gangster.  The cop’s wife disapproves when he misses Christmas with the family.

oooooooooooooo

4. Lethal Weapon – In an infinitely wise move, the LAPD pairs a retiring cop with a suicidal partner and sends them after international drug dealers.  In return, the drug dealers kidnap the retiring cop’s daughter from under the Christmas tree.

oooooooooooooo

3. McCabe and Mrs. Miller – A gambler moves west to start a brothel at the turn of the century.  Things go well until a potential buyout goes south.  Let it snow, let it snow, let it snow.

oooooooooooooo

2. Eyes Wide Shut – Drugs, debauchery and orgies behind closed doors of the financially privileged.  No one likes to be alone during the holidays.

oooooooooooooo

1. Die Hard – A cop must save his ex-wife from robbers masquerading as terrorists by blowing up a building during the company holiday party.

Writing and Technology

I’m growing more and more convinced that modern technology is a hindrance to good writing.  Being accessible by cell phone, text message and email may have its advantages but it certainly has its drawbacks.

The luxury of having undisturbed, unstructured time is something we have to grab for ourselves.  Many people don’t understand that writing is a process.  The path from inspiration to execution is rarely as straightforward as it would appear to the layman.  There are only so many movies you can watch, so many scripts you can read before you have to let your imagination wander to where ever it wants to go.

How many of you have heard your wannabe writer friends ‘plain, “I could write if I had the time.”  I suspect that even if you gave them all the time in the world, they couldn’t write as much as a thank you card, let alone a full length screenplay of any quality.

I just returned from a three hour morning hike in the Santa Susanna Mountains.  Everything on my todo list is still on my desk waiting for me.  This is the view I now compare my problems to.

Simi Valley from halfway up the Chumash Trail

Simi Valley from halfway up the Chumash Trail

My cell phone indicates two voice messages already and I have a half a dozen emails.  This is my typical information load on a Sunday morning.  The world is going on perfectly fine without me and if you needed an immediate answer from me this morning well, seriously, you need a life.

Some people believe that giving 100% means being chained to your computer 24/7.  That in this bad economy, every last bit of productivity needs to be squeezed, every moment needs to be monetized.

Unless you consider yourself a disposable battery, you will need some down time.  Down time that you need to prioritize for yourself.  No one will give it to you.

In the meantime, I’m going get back to work while, in my mind, I’m still playing on these rocks.

Sandstone formation along the Chumash Trail

Sandstone formation along the Chumash Trail

Beef Stew

Dinner tonight:  Beef stew.  Beef, carrots, potatoes, onions and tomatoes.Beef Stew

I’m Procrastinating as Fast as I Can

… and I’m getting quite good at it.

I’ve been cooking for myself, partly to save money and partly based on the belief that if I cook it myself, it must be healthy.

Steak and eggs for breakfast is now healthy.

Steak and Eggs

Two boneless NY strip steaks cooked medium rare on a toasted baguette.  Two large eggs cooked over easy.  Heirloom tomato slices with olive oil and bleu cheese.

Sci-Fi, Technology and Storytelling

I’ve been thinking a lot about the telephone and how it affects storytelling.  There was a musical from the 1920s (I can’t recall the title), but the opening scene was of the maid answering the telephone and the dialogue went something like this:

INT. MANSION – PARLOR – DAY

The MAID answers the ringing telephone.

MAID

Carmichael residence... No, I’m afraid the master of the house isn’t in.  He’s in Bogota negotiating a trade pact... well, he is a member of the President’s cabinet... No, the missus is not in either.  She’s off at the museum curating an exhibit of French Decadent Painters... Yes, it is strange that the house should be empty this time of day... hello?

(hangs up)

Probably wasn’t important anyway.

At the time, this was probably thought of as a clever way to get across exposition.

In later films, the operator became a cliched source of conflict.

OPERATOR

Number please.

STALKER

I need to speak with the Red Headed Woman who lives in the Murray Hill district.

OPERATOR

I’m sorry, I can’t connect you unless you have the number.

STALKER

But you must have her number!  How many Red Headed Women live in the Murray Hill district?

For me, Sorry Wrong Number became the gold standard on how to weave the telephone into the plot.  Bedridden Leona calls her husband but the wires get crossed and she overhears a murder plot.  While it was easy to get someone on the phone, it wasn’t easy getting their full attention.  Multitasking was probably born at this moment.  Ultimately, her murder hinges on the timing of a phone call.

The telephone serves a societal purpose in that it allows people to communicate over long distances in real time. Instant, on demand communication.  It changed storytelling because characters didn’t have to travel to retrieve information.

Once upon a time, if you moved five hundred miles away from your family, the day you left was probably the last day you’d ever see or speak with them forever.

I was watching some 1970s TV rerun with my young nieces (channel surfing actually) and there was a scene showing a hiker stranded in the woods.  He was injured with a sprained ankle and was trying valiantly to start a fire.  My niece asked me why he didn’t just call someone on his cell phone.  I remarked that cell phones didn’t exist back then and then I realized, my nieces have never known a world without cell phones.

But what I came to realize is that technology speaks about the society that created it.

Our modern cell phones are far more advanced than Captain Kirk’s communicator.  What writers imagined for Kirk’s needs was far surpassed by our own needs.  No one questions the existence of a cell phone in our society but it is probably worth a moment or two to consider what the existence of the cell phone says about us.

A cell phone today isn’t merely a cell phone.  It’s a web browser, email reader, camera, video player, music player, GPS locator, calendar, to do list and video game player.

The fact that a device like the iPhone is a runaway bestseller clearly proves that it fulfills some deep societal need.  All its functions once existed as separate devices: You took photos with a camera, you logged onto your computer to check email, you played games on your Nintendo, you bought maps at the gas station, or you had a Day Runner or Filofax.

Sure the device is cool but what drives us to ‘want,’ ‘need,’ and eventually, ‘can’t live without’ such an all in one device?

Let’s go down memory lane, shall we?

  • Remember the first time you tried to dial a number while driving 60 mph?
  • Remember the first time you checked your email while waiting in line at McDonalds?
  • Remember the first time you called someone on their cell phone even though you knew they were somewhere in the same building but you didn’t feel like getting up and tracking them down?
  • Remember the first time you texted at stop light?
  • Remember your first custom ring tone?
  • Remember the first time you set your phone to vibrate?
  • Remember the first time you hung up on someone and later blamed the connection?
  • Remember the first excuse you made for not answering your cell phone?
  • Remember trying to decide between a cell phone and a pager?
  • Remember your first voice mail password?
  • Remember your first answering machine?  How about the first time you called home and picked up your messages?
  • Remember answering services?
  • Remember digging through your ashtray looking for loose change to make a payphone call?
  • Remember your first cordless phone?
  • Remember your first cordless phone conversation in the bathroom?
  • Remember the first time you had two phones on the same line?
  • Remember the first time you were waiting for a call but your sister wouldn’t stop yapping?
  • Remember the first time you used call waiting?
  • Remember your first touch tone phone?

That’s as far back as I’m comfortable going.  The reason for this trip down memory lane is to reexamine those things we now take for granted.

Remember this joke: Why was Harry upset about his new car phone? He could only go half a block before the cord broke.

Remember Billy Crystal’s entrance on horseback at the Oscars?  We laughed as the horse was escorted away and Billy chirped his car lock remote.  It was one of the first times we had the vocabulary to appreciate that joke.

The proliferation of the iPhone introduces a great many possibilities but also suggests the depiction of a new relationship with technology that we recognize from our experience.  In this case, the iPhone satisfies our need for instant gratification.  All information, all entertainment, all the time.

The creation of this relationship is essential.  Without it, exposition about the device replaces your story.

CAPE Launches Legacy Series with Andrea Wong

Legacy Series Banner

CAPE is pleased to announce the premiere of The Legacy Series.

Evenings of candid conversations with the most successful and influential leaders in the entertainment industry, the seminars are an opportunity to gain first-hand insights and perspectives in a master class setting reminiscent of Bravo’s “Inside the Actors Studio.”

With the launch of this new series, CAPE is extremely honored to welcome Andrea Wong, President and CEO of Lifetime Networks on Wednesday, January 28 at 6:30pm at Creative Artists Agency. Ms. Wong is one of the most successful Asian-American executives in the entertainment industry. Throughout her meteoric career, she has demonstrated an unerring ability to identify and anticipate the pulse of American culture. As Executive Vice President of Alternative Programming, Specials and Late Night for ABC Entertainment, she immediately translated these talents into ground-breaking programming, including the smash hit “Dancing with the Stars.”

One of the television industry’s youngest CEOs, Ms. Wong’s creative and business acumen have, in just over a year, revitalized and re-energized Lifetime Networks, the most powerful women’s media brand across all platforms.

Please join us for this highly anticipated new series in which attendees will gain invaluable insights into the entertainment industry. Attendance is FREE to CAPE Members, $20 for guests. Cocktails and hors d’oeuvres will be served.

Program begins at 7:00pm sharp! No cameras allowed.

An RSVP is essential, since space is extremely limited.
Please respond to www.capeusa.org/panel by Tuesday, January 27, 2009 at 5pm.

CAA is located at 2000 Avenue of the Stars, Los Angeles
Only self-parking tickets will be validated. The entrance is located on Constellation Boulevard.

ALL RSVP MUST BE SUBMITTED BY: Tuesday, January 27, 2009 at 5pm.

NOTE:
Although we will try to accommodate everyone who RSVPs to this event, this panel will be limited to ensure an intimate setting, with admission determined on a first come, first served basis until the seats are confirmed. Please bring your confirmation receipt at the registration table upon check in.

To check Membership Status, contact: membership@capeusa.org